ÉCHO DES RACINES
Credits
Choreography and interpretation _ Sarah Bronsard
In co-creation with the artists:
Olivier Arseneault
Thierry Clouette
Henry Garf (Quique)
Dâvi Simard
Alexandra Templier
Antoine Turmine
Rocio Vadillo
Artists who contributed to the project:
Yaëlle Azoulay, Aurélie Brunelle, Alexis Chartrand, Marie-Andrée Cloutier, Cédric Dind-Lavoie, Audrey Gaussiran, Sébastien Genevois Chalumeau, Philippe Jean, Marcos Marin, Miguel Medina, Katherine Oliveri, Caroline Planté, Jonathan C. Rousseau, Benjamin Tremblay Carpentier
PRESENTATION
L’écho des racines is a choreographic project developed in the fertile space between two traditional dances, Flamenco and Quebecois step dancing. Though they share percussive affinities, these two traditions have opposing dynamics. It is within this space of oppositions, through emerging nuance, that this work resides. The poetic universe that upholds this research is sourced from roots and mushrooms; invisible connections that allow subterranean communication, offering support and anchoring, that question our relationship to time and what determines a territory, a tradition, or a dancing body.
L’écho des racines looks at both metaphorical roots (traditions, transmission, genealogy, and the knowledge associated to each of these traditions) as well as the concrete roots of trees that allow growth and anchoring. There is a very strong interconnectedness and subterranean communication between trees, which can span up to multiple kilometers. This communication is possible due to mycorrhizae (the symbiotic association between mushrooms and plant roots), which generously contributes to the creative reflections around L’écho des racines. As Sarah Bronsard is a budding mycologist, the project also explores the world of mushrooms, at the root of all living things, as well as the concept of lichen which challenge the notion of what it is to be an individual (by its symbiotic nature between a mushroom and algae). While simultaneously exploring these traditional dances and research on mushrooms, it is fascinating to research what connects them underground and where their limits lie. The metaphorical universe hovering around this project allows us to surpass the comparative meeting of the two worlds, Flamenco and Quebecois step dancing, to open new territory « between » and to offer a singular percussive body experience.
DISTRIBUTION
June 6th to 9th _ Aux Écuries Theatre (Montréal Qc) co-presented by BIGICO
CREATION STEPS
Centre culturel Desjardins (Joliette) _ Creation residency _ March 2024
Azimut Diffusion (Sorel-Tracy) _ Creation residency _ February 2024
Maison de la culture du Plateau (Montréal, Qc) _ Creation residency _ January 2023
Centre Culturel de Notre-Dame-de-la-Prairie during Festival Mémoire et Racines _ Creation residency _ July 2022
PARTNERS
Conseil des arts et des lettres du Québec (CALQ) _ Production grant 2024
Conseil des arts de Montréal (CAM) _ Production grant 2024
Conseil des arts et des lettres du Québec (CALQ) _ Creation grant 2023
Canada Council for the Arts _ Creation grant 2022
Maison de la culture du Plateau _ Creation residency 2023
Festival Mémoire et Racines in partnership with the city of Notre-Dame-des-Prairies _ Creation Residency 2022
BIGICO _ Project support, 2022
Centre d’art Diane-Dufresne in collaboration with Diffusion Hector-Charland _Creation Residency 2022
Canada Council for the Arts _ Creation grant 2021
Conseil des arts et des lettres du Québec (CALQ) _ Research grant 2020
David-Kilburn Award from the UQAM Dance Departement _ 2020
Conseil des arts et des lettres du Québec (CALQ) _ Development grant in Quebecois step dancing 2019
